I’m drawn to architecture that frames people cleanly, and to fashion because cloth and gesture read like light sculptures. Travel work is where those interests meet—new walls, new rhythm, same discipline.

Influences sit somewhere between classic magazine sequencing and slow documentary: let the frame breathe, keep contrast intentional, and treat color as a decision—not a default. That’s the thread from runway to street to shoreline.

The work is driven by restraint: clean framing, measured pacing, and an editorial sense of sequence. Images are built to feel crisp, calm, and immediate rather than ornamental.